INSPiRE

ARTISTS

Artist Profile

  • The wind is blowing strongly.

    The 2nd PeriodYuina NAGAI

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    The wind is blowing strongly.

    The wind is blowing strongly.

    When I heard your company’s philosophy, it felt as though a refreshing breeze swept through the room.

    That breeze will surely become a tailwind, bringing further prosperity to your company. Yet at times it may turn into a headwind. Even so, by facing it with unwavering sincerity, you will invite favorable winds once again.

    Amid the ever-changing tides of society and the voices of the world, I depicted your company as a great rock standing with dignity by the sea, steadfast against the winds.

    I am certain that in the future, too, good winds will continue to blow.

    Profile
    • Born: 2000, Tokyo
    • Education: Graduated in 2025 from Tokyo University of the Arts, Faculty of Fine Arts, Department of Painting, Major in Japanese Painting

    I am interested in the element of chance created by nature, and I translate ever-changing landscapes into my paintings.

    In a world filled with artificial objects, I depict the undeniable presence of nature.

    Exhibitions
    • March 2024: Group Exhibition Futatabi /
      archive (UNO Hotel)
    • September 2024: Group Exhibition DIALOG
      (art in gallery)
    • April 2025: Two-person Exhibition Two Tone Two
      (art in gallery)
  • The Bloom of Time

    The 2nd Period301

    • Instagram

    The Bloom of Time

    The Bloom of Time

    Amid the quiet scenery of dusk,

    a single ray of light suddenly streamed in.

    It appeared out of nowhere, brushing past for only a brief moment—

    and yet, for some reason, it could never be forgotten.

    It was like a gift reserved for a special day,

    a fleeting moment that transformed into hope.—

    (Within the unstoppable flow of “time,”

    there are moments when unexpected good fortune shines in,

    when we encounter new landscapes or emotions—

    miraculous instants filled with joy and wonder.)

    Profile

    Since the age of fifteen, I have spent seven years continuously painting “rivers” in oil.

    What first drew me to rivers was the way the sky and illusions reflected on the water’s surface seemed to mirror both the visible landscape and the inner landscape of the heart at the same time.

    A river, ever flowing and constantly changing in color, scenery, and impression, feels to me like human emotion itself.

    My works are inspired by the “language of flowers,” symbolizing the days on which such landscapes truly existed.

  • Where the Wind Goes

    The 2nd PeriodMoe Iizuka

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    Where the Wind Goes

    Where the Wind Goes

    When I learned about your business and the background of this project, I felt the determination of your company to seize the hidden hints behind challenges, to embrace both opportunities and risks, and to transform an uncertain future into one full of possibilities.

    I believe that walking forward with faith in possibilities requires courage and decisiveness even greater than one might expect. In attempting to capture and depict finance—something inherently difficult to materialize—the artist too must believe in the potential of the work, accept failure, and carry it forward into the next step.

    For this reason, I chose not to set a predetermined goal for the work, but instead advanced my brushstroke as though in conversation with the canvas. While bearing the risk of not knowing where or whether I could declare the work complete, I found that by continuously seeking out the next step hidden within the canvas, the image gradually emerged, allowing me to proceed with growing confidence. With joy in becoming part of your company’s art culture, I created this work while hoping that the path you walk will lead toward a future where a symbiotic society of people supporting one another continues to flourish.

    Although there are many cases where companies commission artists to produce works, I believe that the attempt to gather works over the years and hold exhibitions is truly rare. This art project, by commissioning artists, will serve as a catalyst for broadening the connections between artworks and people. I am deeply honored and delighted to have been able to participate in this project as one of the artists entrusted with its beginning.

    Profile
    • Born: 2001, Kyoto Prefecture
    • Education: Graduated in 2025 from Tama Art University, Faculty of Fine Arts, Department of Painting, Major in Oil Painting

    My practice captures the flow of time and atmosphere, layering them upon the canvas as though building strata.

    Selected Exhibitions
    • 2021: Setsuna (River Coffee & Gallery, Todaimae)
    • 2022: Shall We Share This Moment? (3331 Arts Chiyoda, Suehirocho)
    • 2023: Hitoiki (Onda Gallery, Omotesando)
    • 2024: FIRST CONTACT (REIJINSHA GALLERY, Nihonbashi)
    • 2025: SQUARE The Double vol.18 (Fryu Gallery, Sendagi)